#Exhale by output kickass for mac
Substance is available now for $199 for Mac or Windows and requires Kontakt 5.5 or above to run. The development and depth of the editing in Substance is really good to see. Sometimes there’s too much weird and interesting stuff going on to find sounds that can be readily used in a mix, so be prepared to tweak and take control. Exhale’s powerful engine features three modes: Notes for chromatic playing. Over a six-month period, top sound designers tweaked and manipulated real vocal performances with tape machines, vocoders, and vintage gear to create a range of distinctive sounds. They are beautiful to use and can sound amazing, although the editing power can feel a little shallow. Output has created a vocal instrument that has inspired the sound of modern music. The arpeggiator is pleasingly complex with some interesting pattern and timing options. With a wide range of modulation waveforms to choose from or step sequence options. The rhythm editing comes straight from the their Movement plugin. In terms of effects you have distortion, reverb, compression, pitch and flux control, delay and chorus modulation. The editor includes ADSR, pan, legato and monophonic controls along with stereo spread and tuning. Each layer just requires a click to bring up the sound source menu so you can very quickly compile your own combinations.
These are easily editable and assignable. The macros give 4 controls ringing the central bass wheel thingy. The effects, filters and other elements are all accessible via tabs at the top. I love how the three sound sources are represented visually, it really is a treat. Build in some arpeggiation, “Flux” and a bunch of tweakable macros and you have a very animated and controllable sound machine. There are three layers of sounds blended with effects, filters and modulation. Output then go to town shaping, morphing and modulating them into low frequency sonic textures. The sound set is made up of acoustic and electric basses, brass sections, analogue synths and polysynths. Output base their instruments on a set of samples and then throw a shed load of modulation at it. Following on from REV, Signal and Exhale the word Substance definitely has a lot of bottom end to it. The last two videos cover Insert Effects, Macro Sliders, Presets, and all Automation options that you have available.Good name.
#Exhale by output kickass mod
Then its on to the Rhythm Panel, where you’ll see how Waveform Shapes and or Step Sequencer Patterns are used to modulate parameters in the six Mod Effects available in the FX Engine.Īfter that, Eli explores the Flux control, which applies a secondary step-sequencer dedicated to generating fluctuations in the main modulation values, as well as a video on Mod effects. Next, Eli demonstrates Slices mode, in which you can match your sounds to the key of your music.
#Exhale by output kickass how to
You’ll learn which controls are shared, which are unique, and how to set and edit all 13 individual loops per loop bank! The next 2 videos explore Loops mode, both Bank Settings and Note Settings. Once you’re familiar with the signal flow, Eli then covers Notes mode and its 3 different source types including One-Shots, Pads, and Tape Loops. Then it's onto the Presets, which can contain one or two sound sources with independent Volume, Pan, Tune, Eq, ADSR, & Playback Direction Controls. Starting with an installation guide, Eli gets right into EXHALE’s signal flow, explaining how sounds are triggered in Notes, Loops, and Slice modes.
In this video tutorial series studio expert Eli Krantzberg reveals all of its secrets as well as how to use it to breathe life into your productions. There's nothing out there quite like Output EXHALE, a virtual instrument with a unique vocal engine that's both powerful and modern.